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It’s also apparent in her all-woman support team, which includes manager Rebeca León, her mother, and her sister Pilar, better known as the stylist Daikyri. (“Playing with clothes, taking pictures has always been our way of having fun,” says Rosalía.) Together, through Rosalía’s image, the sisters amplify their vision of a strong femininity - one that’s frilly and playful, but incredibly driven and perhaps even liable to do something crazy if given the chance. Rosalía consistently stresses the importance of woman power, and not just in her music. “I’m going to have to keep fighting until I find the same number of women in the studio as there are men.” “These women paved the way for me to be here,” she told journalists backstage while clutching both award trophies, down to the tips of her perilously sharp, bejeweled nails. Pablo told me, ‘You are a producer… You lead your project.'”Īfter accepting her second Latin Grammy in Las Vegas, Rosalía shouted out not only her collaborators, but some of her favorite female artist-producers, including Kate Bush, Lauryn Hill, Missy Elliott and Björk. “They prefer to have the reins in their hand. “Most guys I with, they don’t empower girls,” she says. Canarian psychedelic-pop producer El Guincho, to co-produce the LP. Tangana, to help co-write lyrics for eight of the 11 tracks - and rang up Pablo Díaz-Reixa, a.k.a. There were no hard feelings, though Rosalía collaborated with Balvin on his chart-topping 2018 album, Vibras.įor the making of El Mal Querer, she called on her then-boyfriend, Madrid rapper C. Her flamenco-hip-hop hybrid track “Malamente” won two Latin Grammys earlier this month (out of an impressive five nominations) - Best Alternative Song and Best Urban Fusion/Performance - knocking out “Mi Gente,” the global #1 hit by Colombian reggaetonero J Balvin. Such a formula, however unconventional, has worked wonders for the young singer and multi-instrumentalist. “But I have to be transparent with how I understand flamenco here and now, with who I am, with my references, with my age, with the moment I am living, you know? The classical basis is so important to me. I learned all the rules,” says the 25-year-old, who studied flamenco for eight years under local legend José Miguel “El Chiqui” Vizcaya, as well as at the Catalonia School of Music.